|
|
|
|||||||||||
| |||||||||||||
| Written by Howard Lamey (with a little help from Paul Race) for Big Indoor Trains™ and LittleGlitterhouses.com. |
|
Note from Editor - More Tribute to Tinplate(tm): Florida hobby and craft designer Howard Lamey has created many projects reminiscent of the illuminated pasteboard houses that brightened North American households during Christmas seasons between 1928 and 1965 (often called "putz" houses from the German word for "puttering around.") This project, however, is a tribute to an even older tradition - the tinplate villages and trains that surrounded so many Christmas trees in the early 1900s. Although Big Indoor Trains™ is contributing lithograph-inspired downloadable graphics for other projects in this series, this project is entirely Howard's design. We are privileged to host the project both at Big Indoor Trains™ and at Howard's web site LittleGlitterHouses.com. Alert readers will note that this is not Howard's first tinplate-inspired building project - in 2008, he designed a Union Station project inspired by one of Lionel's most beloved tin stations. Although one could build these projects from sheet tin, we are making them from cardboard. Ironically, this reflects yet another tradition - when tinplate trains and towns were in vogue, Japanese companies manufactured heavily-shellacked cardboard houses and stations that you could use to supplement your empire. Today putz house collectors call these old Lionel and Ives-inspired cardboard houses "Lackies," because of the lacquer that made them almost as shiny as the metal houses that inspired them.
|
|||||||||||||||||||||||||||
![]() |
![]() |
![]() | |
![]() |
![]() |
![]() |
![]() |
If you want to see the plans before you print them, you can see a bigger version by clicking on the graphics above. But the best way to print them is to usually to click the following link to download the PDF version:
Select the print option, tell it to "auto rotate and center" (or whatever else you need to select to make it go the right way on the paper). Don't select the "scale to page" or "shrink to fit" option unless you need to reduce the size of the printout (see below). Print. When you get your printout, double-check the measurements with a ruler.
Note: On some printers, a small portion of the image may disappear at the outside edge of the page. But you can easily "fill in the details" by looking at the jpg versions.
If you don't have Adobe Acrobat Reader on your computer or for some reason that doesn't work, you can open the big JPG versions by clicking on the reduced plans above. You will probably have to experiment and tweak the sizes to get them just right, though - that's why the PDF version is more likely to work for you.
If neither of those work, contact Paul and ask him for help - that's his department. :-)
Cut carefully.
Carefully transfer the patterns of all pieces to the cardboard building stock. A .05 mm lead mechanical pencil and a “C-Through” brand ruler make this accurate and easy.
Note: For more information about building bases, please see our Glitterhouse Bases article.
After you have built the base, cut the foundation piece out of corrugated cardboard or foam board and set it loosely on the base. When you get the shanty built, position it over the foundation to make certain it is a secure, but not overly tight fit. Then you may glue the foundation in place.
White glue works best if you apply a thin coat to each mating surface and wait a few moments for the glue to become tacky.
Do not glue the building to the base until the instructions say to. You CAN check the fit as you progress by setting it on the foundation, if you wish.
Fold the shanty walls where you have scored them and glue the tabs that hold them together. Glue the folds that will support the roof together as well. Be sure to check it every so often in case something has slipped out of place.
In the photo the right, you can see that I cut a hole through the folded roof pieces for the chimney to pass through. This doesn't have to be an exact cut, since the roof will cover any jaggies.
The sub-roof should be a heavy solid cardboard, like the back of a writing tablet.
the crease will be on the sub-roof, then check the fit on the shanty body.
Do not glue the roof to the body until the instructions say to. You CAN check the fit as you progress by setting it on the body, if you wish.
In the photo to the right, the roof, body and base have been set together to check the fit and the overall look, but the pieces are not glued together quite yet. You can use a "test fitting" like this to make certain that the foundation where you need it to be and it is the right size.
For the glazing, I cut squares of the translucent plastic from cereal box liners, then I cut squares of light blue paper to put behind them to give them a bluish tinge.
Glue around the edges, being careful not to get glue on the part of the glazing that shows through the windows - that will take on a distinctively different color.
Prime each component with a flat white undercoat, then, after that has dried thoroughly, paint the top coat in the color of your choice. It can be glossy, to imitate the original tinplate structures. If you don't have something shiny, don't worry too much; you're going to finish this project with a glossy spray topcoate.
I'm on the lookout for a little watchman who's the right scale for this building. In the meantime, Paul suggested a "crossbuck" railroad crossing sign, so I did a little R&D, and Paul did some graphics, so we have another project that will dress up any corner of your railroad.
Commercial "Plug" - Now that I'm in "retirement," this hobby has become a sort of avocation for me. Several folks have commissioned me to build specific houses for them. I often provide an "artist's conception" to make certain I understand what they want. Sometimes the "artist's conception" needs to be tempered by adjustments to make the house fit in better with the other houses it will be joining, as well as color and accessory changes. But it all starts, quite literally, at the drawing board.
Perhaps you had a toy or pasteboard structure when you were young and would like to have a replica made. Or you have an idea for something that's never been done. If you can find a photo or hash out a drawing or anything else to give me some idea of what you're looking for, that can be enough to get started.
If you'd like me to help you design and/or build a project for you, or if you have any questions at all, please see my site, LittleGlitterHouses.com for more information.
Looking for Your Ideas, Projects, or Photos - Also, if you have similar project, ideas, or photos that you'd like to share with your fellow readers and hobbyists, we'd love to add them to our sites, and we'll be sure to give you full credit for your contribution.
Building a Vintage "Lithographed" Station" - the first article in our "Tribute to Tinplate" series, based on a prewar American Flyer standard-gauge station. Includes free, downloadable graphics, plans, and instructions for modeling in O/S and Large Scale/Standard Gauge.
- This project is inspired by a popular pre-war tinplate house that was made to go with standard gauge trains, like the early 1900s-era Ives and Lionel. Paul Race's commercial-quality graphics, as well as Howard Lamey's plans and assembly details are all free, to give your railroad a vintage tinplate look with a few cents' worth of materials. Many options are available, and most graphics and plans can be downloaded directly from the article.
New
Feature - Building a Tinplate-Inspired Lamp Post The ideal accessory for the Lewis Park Station, or any station or city hall on your railroad or holiday village. No, they don't actually light, but they are cheap and easy to build and add a great deal of vintage interest to any setting. Free downloadable plans are available in several scales.
New
Feature - Building a Tinplate-Inspired Railroad Crossing Sign This is the ideal accessory for the Watchman's Shanty project. Based on a series of products that are now available only as expensive collector's items, this easy and almost-free project will add texture, interest, and period to any model railroad or holiday village.
Build a Vintage-Style Cardboard Stone Cottage - This building project is made like the vintage cardboard houses folks used to set around their Christmas tree in the early 1900s (before glitterhouses became common), but its design was inspired by a building that shows up on the "Isle of Sodor." The building uses free downloadable graphic paper to put a realistic stone veneer on an old-world cottage and fence. It works with Christmas villages, or with a little customization, would dress up any indoor railroad. A "brick cottage" option is also shown.
Log Cabin Building Flat - This "building flat" uses downloadable graphics and foam board or cardboard to dress up a narrow corner of your railroad or village. The techniques in this project can be used for almost any kind of building you want to represent in a tiny space. December, 2007
building project uses downloadable graphics to put realistic shingles and siding on an old barn and silo. Like the stone cottage above, it works with Christmas villages, or with a few changes, it would dress up an indoor railroad.
Building the Union Station - This original project by designer Howard Lamey is inspired by two traditions - the cardboard Christmas houses that were popular in US homes between 1928 and 1965 and the Lionel station that was popular for most of the 20th century.
Other Articles about cardboard houses include:
Note: LittleGlitterHouses.com(tm), Spook Hill(tm), and Sandy Shores(tm) are trademarks of Howard Lamey. Big Indoor Trains(tm), Big Train Store(tm), Family Garden Trains(tm), Big Christmas Trains(tm), Garden Train Store(tm), and Trains and Towns(tm) are trademarks of Breakthrough Communications (www.btcomm.com). All content on this page is (c) Copyright by Paul D. Race and Breakthrough Communications. Reuse or republication without prior written permission is specifically
forbidden.
For more information, contact us.

